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Visual Fable on James Joyce's "Finnegans Wake"
Pyrogravur auf Papier auf James Joyce Ulysses and Finnegans wake
"Our eyes demand their turn" (FW 52)
„…for where theirs is Will there's his Wall' (FW 175.19-20)
James Joyce, Finnegans Wake
Pyrogravur auf Papier auf Samuel Beckett
Herman Melville Moby Dick
Julio Cortázar
Thomas Pynchon' Gravity's Rainbow
Nabokov
Gilgamesh
Orpheus: ORPHICA MAGICA
Zeichnungen
Video
https://www.facebook.com/borisuvam/videos/452733738764025
https://www.facebook.com/boris.wake/videos/10217897821470619
https://www.facebook.com/boris.wake/videos/10217897821470619
My main project “Icon-o-graphing in visual fable James Joyce' novel "Finnegans Wake" (1999-2014), is in the center of my project ‘The Topological notion of Metalepsis: Topologically Speaking, Seeing, Thinking and Drawing’. I have started this project back in 1999 in Toronto, Canada, with few solo art exhibits, and continued the work in Sofia, Bulgaria, with last solo art exhibit held this summer (2014) in Gallery 205 ProArte, Sofia.
Icon-o-graphing in visual fable James Joyce' novel "Finnegans Wake" share passion extracted from the core of the Joycecentric universe and explore the Wake as experience of the eye on the mind ear. In visualizing Joyce' MeanderTale, my artistic attempt was to translate his portmanteau words as portmanteau images, to envisage polyphonic phrasing and represent the visual assonance of FW echolalia, to explore the iconography of double-talk, infixes, auditory rhymes as qualia of the "messes of mottage" (FW 183). James Joyce suggestion to read FW a laud is coded also in the text of FW - "Ope Eustace tube!"(FW 535-26). My visual interpretation of the FW aims to unfold the visual topology of the "acoustic space" as the Eustace tube of the eye and auditory space of Joyce’s words as images of sounds.
James Joyce’s famous "Our eyes demand their turn" /Finnegans Wake, 52/ is especially relevant to Hugh Kenner who introduced in his “The Pound Era” the topological term “homeomorphism” into Joyce criticism.
The Visual fable James Joyce' novel "Finnegans Wake" is available at http://www.behance.net/borisart and http://www.yumpu.com/…/icon-o-graphy-of-finnegans-wake…
http://www.yumpu.com/…/2748…/o-194c354f0fne14b05mcimi6ppapdf#, acompanied with my research papers, such as “Topology, Homeomorphism and Literature: Topological James Joyce – Finnegans Wake”, published at
https://www.academia.edu/…/Topology_Homeomorphism_and… and “Ariadne – Topology and Cultural Dynamics - Intstitute for Cultural Phenomenology of Qualitative quantity”, Foundation - http://ariadnetopology.org/THL.html, as well as through few papers published recently during my art show in Gallery 205 ProArte, Sofia, and in collaboration with the Medical Eye Clinic DEN, Solo Art Exhibition ’Joyce and Derrida: Phenomenology of eye and vision.’
There are two E-Books:
• Iconography of Finnegans Wake (A Visual fable on James Joyce's novel Finnegans Wake) [Kindle Edition]:
Prepared for Amazon Kindle, this work is not just e-book, but e-look. This e-look represents the author’s in-di-vidual and in-di-visual reading of the novel “Finnegans Wake”.
http://www.amazon.com/Iconography-Finnegans…/dp/B009LXGY4I
• Topology, Homeomorphism and Literature: Topological James Joyce - Finnegans Wake (Cultural Phenomenology of Qualitative quantity) [Kindle Edition]
http://www.amazon.com/Topology…/dp/B009HO2UP8/ref=sr_1_5…
Icon-o-graphing in visual fable James Joyce' novel "Finnegans Wake" share passion extracted from the core of the Joycecentric universe and explore the Wake as experience of the eye on the mind ear. In visualizing Joyce' MeanderTale, my artistic attempt was to translate his portmanteau words as portmanteau images, to envisage polyphonic phrasing and represent the visual assonance of FW echolalia, to explore the iconography of double-talk, infixes, auditory rhymes as qualia of the "messes of mottage" (FW 183). James Joyce suggestion to read FW a laud is coded also in the text of FW - "Ope Eustace tube!"(FW 535-26). My visual interpretation of the FW aims to unfold the visual topology of the "acoustic space" as the Eustace tube of the eye and auditory space of Joyce’s words as images of sounds.
James Joyce’s famous "Our eyes demand their turn" /Finnegans Wake, 52/ is especially relevant to Hugh Kenner who introduced in his “The Pound Era” the topological term “homeomorphism” into Joyce criticism.
The Visual fable James Joyce' novel "Finnegans Wake" is available at http://www.behance.net/borisart and http://www.yumpu.com/…/icon-o-graphy-of-finnegans-wake…
http://www.yumpu.com/…/2748…/o-194c354f0fne14b05mcimi6ppapdf#, acompanied with my research papers, such as “Topology, Homeomorphism and Literature: Topological James Joyce – Finnegans Wake”, published at
https://www.academia.edu/…/Topology_Homeomorphism_and… and “Ariadne – Topology and Cultural Dynamics - Intstitute for Cultural Phenomenology of Qualitative quantity”, Foundation - http://ariadnetopology.org/THL.html, as well as through few papers published recently during my art show in Gallery 205 ProArte, Sofia, and in collaboration with the Medical Eye Clinic DEN, Solo Art Exhibition ’Joyce and Derrida: Phenomenology of eye and vision.’
There are two E-Books:
• Iconography of Finnegans Wake (A Visual fable on James Joyce's novel Finnegans Wake) [Kindle Edition]:
Prepared for Amazon Kindle, this work is not just e-book, but e-look. This e-look represents the author’s in-di-vidual and in-di-visual reading of the novel “Finnegans Wake”.
http://www.amazon.com/Iconography-Finnegans…/dp/B009LXGY4I
• Topology, Homeomorphism and Literature: Topological James Joyce - Finnegans Wake (Cultural Phenomenology of Qualitative quantity) [Kindle Edition]
http://www.amazon.com/Topology…/dp/B009HO2UP8/ref=sr_1_5…